My Next Big Thing
I was recently invited to participate in a blog chain known
as My Next Big Thing. This blog chain is NOT a chain letter …
oooh … ugh … but rather, a way for writers to connect their work and
themselves to one another. Formerly
limited to writers of novels, my invitee, interviewer, Michele Poet aka Michele Brenton, has broadened the circle
by including poets as well. I joyfully
accepted this invitation and hope you will enjoy reading the interview
questioning as much as I enjoyed responding.
First of all, I want to thank Michele for this opportunity
and tell you a little about our much more than virtual relationship. I met Michele
Poet years and years ago – as contributor of wonderful, usually humorous poems
at an online poetry site. Later, I came
to know Michele as a fabulously accomplished poet, and short story and fiction
writer, who has met a series of deeply challenging life experiences with the
fluidity, irony and humor and ease of a slip on a banana peel. It is no wonder to me now, that this
remarkably talented woman was known to me originally as Banana-the-poet. Among a great body of published work, Michele
has a recent brilliant satire of which was a top best-seller at Kindle. I am extremely honoured to be interviewed by
a woman who is the essence of the poetic/creative spirit. Please give yourself a huge gift and visit
Michele at:
What is the working title of your book or project?
Missing Kaitlin –
~
What sparked the project/book/work off?
A character, along with her grisly demise, that appeared to
me in response to a poetry prompt for an inverted pyramid poem. The type of writing that is often employed in
prose form in newspaper writing (so that the most important details are up
front in case editing for space is needed.
The poem was about a four-year-old raped and murdered little girl named
Kaitlin, and a series of such poems followed.
~
How would you describe your project/book/piece of work?
The novel evolved from a straight-forward “child-gone-missing
thriller” into an exploration of the lines that blur reality and imagination,
sanity and delusion.
~
How long did it take you to find your own style and voice?
In terms of poetry, I believe I arrived hard-wired with a
style and voice. Poetry, has always seemed a to offer a clearer way of
communicating in a multi-faceted manner, more suited to describing experience
than the linear language of conversation and/or prose writing. In terms of poetry writing, but for the
personal poems written for someone –
I have had this voice and/or style since I could physically write – frankly I
make no claims for my poetry as it simply seems as I am a ‘transcriber’ rather than a writer – I have no idea where poetry
originates except in some preconscious part of my being or – perhaps someone
else’s being – mhmmm I simply accept such without much speculation as I believe
such thinking would lead me in far flung directions that I am not quite ready
to explore. Now, in terms of non-fiction
the sense of being able to synthesize various ideas and to generate a new
‘spin’ if you will, from latent facts has also been with me since my earliest
years, and comes fairly easily and probably has a great deal to do with my
many, many, many years of schooling. I
was the grad student who would hand in, I kid you not, a 70 page paper when
asked for a 7 page paper. When asked for
a clarification or correction of my dissertation I simply rewrote the entire dissertation. It took many years, a wonderful
mentor/professor who received one of these overblown papers who asked me
“hasn’t anyone ever stopped you?” and about 800 hours of analysis to realize
that there was something less than thrilling (to others) about this type of
manic writing. So, yes, hurrah for
me. But we now come to the desert, the
void, the chasm, the silence of ease never mind hurrahs. The elusive novel, that I have waited
patiently for since I was nine years old and felt certain that I could write. I’ve had three non-fiction
books published, a dissertation, numerous papers written in decades of
schooling, poetry published online and in print, some micro fiction - however –
I am still waiting and now as life moves quickly on I find that I am actively
searching for the naturalism that I has been such an comfortable part of me and
which continues to elude me and in my novel writing. I am grateful for all
other writing, but I will not consider myself (in my own eyes) a real writer until I can complete a novel
that I would want to read.
~
In what ways do you think 'writer you' differs from or has similarities
to the everyday you?
I’m not sure it does, which can make getting a container of
milk the subject of existential musing.
My father once said that I “speak the way other people write.” I think now he might have had a point, but
the problem is that I find, when it comes to my novels I have things turned
around. I may “speak the way other
people write” (oh my what a bore I must be!) but I know that I too often “write
the way other people speak” and lose the vivid detail and description that have
many in my life listening to me tell a story whisper, eye-roll or mutter “get
to the point.” My novels too quickly
arrive at the point with nowhere to go. Mhmmm.
~
Who or What makes you pick up that pen or start typing at the keyboard?
The need to write is an impetus that has, as previously
described been with me from a very early age, perhaps as young as seven. I’m not at all certain who the “who” or “what” is that drives this compulsion – I suspect the question and
the uncertainty of the answer might be similar as to who or what drove that first
explosion that led to creation on a far grander scale. I know that if I do not write, I feel disorganized
in my thinking and that writing at any time provides a sense of serenity,
order, release and accomplishment. Sooo
“who?” or “what?” unclear but I am grateful for the ability.
~
Imagine someone waved a magic wand and you were only able to write one
book in your lifetime and you knew it would be perfect and say exactly what you
intended and be understood and appreciated by everyone; what would you write
about?
Haha. This is a
wonderfully trick question. If I were to
know the answer to this question I would be delighted to have now completed
this interview to set my fingers free and flying about the keyboard writing as
quickly as possible. You see, I have
been convinced since I was in the third grade that if I were to know “the book” that I wanted to write – I
would be able to write it as easily I can write a simple rhyming verse. What “would I write about?” Ah, something grandly simple that captured
the human sense of fragility and strength, that captivated the reader and
transported them to another place where they’d fall into the story, linger
about the final pages, unwilling to let it go and leave in the wake of their
reading a trail of laughter and tears as an ever ribboning tribute of rose
petals over an endless horizon. If I
were able to write “the one perfect book” I would achieve what so many of us
secretly long for – immortality – or at least a simple indelible chicken
scratch on this spinning cerulean marble we all share.
~
Thank you Michele for the opportunity to bore some more folks. I have the greatest admiration for you, your
writing and your creative spirit.
To continue the chain, I've put the same questions to
several wonderful writers:
Barbara
Ehrentreu @ http://barbaraehrentreu.blogspot.com/
Ina Roy-Faderman @ http://inourbooks.com/ (with Andrea Heiberg)
Laura Hegfield @ http://www.shinethedivine.com/
Sharon Ingraham @ http://www.networkedblogs.com/blog/poet-treehouse
Meena Rose @ http://2voices1song.com/
.
On December 11, at their respective blogs, Barbara, Ina,
Laura, Sharon and Meena will tell you about their next big things.
and meet him head on
coming toward me –
and we both turn and
with a deep breath
regain our solitude and
walk
the
other
way