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All is possible my child – A Rubai
Lullaby*
All is possible my child
In moon-spill I shall keep you from
the wild
Hold the savage thoughts far from you
as you fall
I shall sing songs to you - keep
you beguiled
My child possible is all
as into sleep tumbling you fall
wishes into futures tinkle as
pocket-change sift
larks shall fly and self-songs
sweetly call
My child all is a gift
twirling whirling on the drift
as jingling skeletons whitely dance
over each crested wave you I shall
lift
Until time tumbles into sweet mouth
surprise
unassisted you step to slumber,
wake at sunrise
shake sleep from clear visioned dreaming
eyes
stretch to walk strong-legged your
horizon’s rise
* combined the PA Rubbai Form Challenge including wordle words
Poetic Asides
For those unfamiliar (as was I with the rubai or interlocking rubaiyat- the form is explained below)
Poetic Asides Form Challenge
For those unfamiliar (as was I with the rubai or interlocking rubaiyat- the form is explained below)
Poetic Asides Form Challenge
Interlocking Rubaiyat: Poetic Form
I’ve long been familiar with the 12th-century Persian work, The Rubaiyat of Omar Khayyam, but I did not recognize it as a form. And without piecing it together, one of my all-time favorite poems (“Stopping by Woods on a Snowy Evening,” by Robert Frost) executes interlocking rubaiyat to perfection. Just goes to show that no matter how much one thinks he knows, there’s still so much more to learn. Or at least, there’s still “miles to go before I sleep.”
Here are the rules of the interlocking rubaiyat: The poem is comprised of quatrains following an aaba rhyme pattern.
Each successive quatrain picks up the unrhymed line as the rhyme for that stanza. So a three-stanza rubaiyat might rhyme so: aaba/bbcb/ccdc.
Here are the rules of the interlocking rubaiyat: The poem is comprised of quatrains following an aaba rhyme pattern.
Each successive quatrain picks up the unrhymed line as the rhyme for that stanza. So a three-stanza rubaiyat might rhyme so: aaba/bbcb/ccdc.
Sometimes the final stanza, as in Frost’s example above, rhymes all four lines.



